Join us for a facsimile viewing session on Wednesday, January 29, at 11 am! Listen to graduate students and faculty talk about illuminated manuscripts — poetry collections, books of hours, festival books — written in Hebrew, in Latin, and in Middle High German. All are welcome!
January brings us three Art Talks presented by the department’s graduate students! All will be held in the Ingalls Seminar Room.
On January 23, at 1 PM, join us for two medieval art papers! Sara Frisbie will present “One God, One Light, One Cause’: Materialities of Stained Glass in an Auvergnois The Trinity” in preparation for the Multidisciplinary Graduate Conference at the Newberry Library, immediately followed by Cecily Hughes’s grant-winning paper, “The Measure of a Saint: Size, Landscape, and Meaning in St. Olaf Pilgrim Badges,” which she will deliver at the College Art Association’s conference in February. Also at the CAA conference, Jillian Kruse will present “Collective Labors: Collaboration as Motif and Method in Pissarro’s Prints,” and her Art Talk is scheduled for January 27 at 11 AM. We hope you can attend all three!
Congratulations, everyone, on the fabulous prospectus-cum-QP session on Friday! Arielle Suskin, Clara Pinchbeck, and Claire Sumner presented their dissertation research, while MA students Sarah Frisbie, Sara Miller, Darren Helton, Megan Alves, and Sydney Collins took us on a dizzying visual tour that ranged from contemporary cyborg theory to medieval theology of light, and from ancient Etruria to Byzantine Rus. Pictured here with Prof. Gertsman wielding the Chicken of Power and Timekeeping.
We were delighted to host the curatorial talk for the Creation and (Re)Birth Exhibition on November 14 to a full house! Co-curators Prof. Elina Gertsman and Dr. Gerhard Lutz talked about the concept of the exhibition and then focused on specific objects, with the all-important participation from Dr. Sonya Rhee Mace and three PhD students — Zoe Appleby, Rebekkah Hart, and Cecily Hughes. The repeat of the event, this time for the university audience, will take place on January 22.
We are delighted to announce that Alex Kaczenski, a doctoral candidate in medieval art, just started her new position as the Assistant Curator of European Painting and Sculpture at the Los Angeles County Museum of Art! Alex joins LACMA from the Norton Simon Museum, Pasadena, where she has been a curatorial assistant. LACMA’s vast European painting collection comprises works ranging from the twelfth to the early twentieth century. In her role as Assistant Curator of European Painting and Sculpture, Alex will be responsible for collection research and development through exhibitions, publications, and acquisitions.
