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Rachel Sweeney, third-year PhD student in medieval art, was this year's recipient of the Terence Barry Prize for Best Graduate Paper in Irish Medieval Studies from the American Society for Irish Medieval Studies. Her paper, "The Faddan More Psalter: Tangible Connections Between the Insular World and Byzantium," was originally written...

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The Department of Art History and Art is delighted to announce the publication of Animalities and Humanities in Medieval Jewish Art, a special issue of Ars Judaica co-edited by Prof. Elina Gertsman. In addition to a broad range of articles, the volume features a roundtable discussion that explores historical and ecological spectra of...

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Congratulations to all the speakers, chairs, and organizers at the International Congress on Medieval Studies! Case Western Reserve--its faculty, its affiliates, its students, and its alumni--were amply represented this year. Thank you, as always, for making us proud, and for paving the way for the annual meeting of the...

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Congratulations to Clara Pinchbeck! She’ll be at the Getty for the next two years.

PhD candidate Clara Pinchbeck has accepted a two-year Research Assistant position at the Getty Research Institute. Working under Dr. Nancy Um, Associate Director for Research and Knowledge Creation, Clara will focus on long-term digital projects within a division that encompasses the Getty Provenance Index, the Getty Vocabulary Program, and...

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Art Studio Minor, Isabella Montemore has been selected as a recipient of The 2026 Baker-Nord Institute for the Humanities Prize for Excellence in a SAGES Capstone Project or Senior Paper in the Humanities for your project “The ‘Synthesis’ Event: Using Synesthesia to Improve Inclusivity in the Arts."  

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On Tuesday April 21st, CWRU Art Studio instructor, Adriel Meyer recieved an Excellence in Teaching award from the Cleveland Institute of Art. She was one of 3 awarded this year and was especially excited to be recognized by her Alma mater.  

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Lauren Lovings-Gomez

Lauren Lovings-Gomez: "My dissertation is titled "Materiality, Innovation, and Women Artists in Nineteenth-Century Britain" and reconsiders women artists in nineteenth-century Britain by centering materiality as a critical framework for understanding their innovation, agency, and contributions to visual culture. Through a materially grounded, feminist approach, I argue that these artists...

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