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Congratulations to Prof. Benay, Dr. Britany Salsbury, and the graduate students who helped to curate the historic exhibition Karamu Artists Inc.: Printmaking, Race, and Community, which opened this weekend at the CMA. This is the first exhibition to feature the work of this important group of Black artists since the...
Congratulations to Rebekkah Hart, third-year PhD student in medieval art, who has been selected as the 2025-2026 Getty Graduate Intern in the Sculpture & Decorative Arts curatorial department! She will be working with an astounding collection devoted to European sculpture and decorative arts dating between around 1200 and 1900....
Congratulations to Cecily Hughes, third-year PhD student in medieval art, on receiving the Einar and Eva Lund Haugen Memorial Scholarship! Administered by The Society for the Advancement of Scandinavian Study (SASS). The Haugen scholarship provides generous support for doctoral research in and about the Nordic regions. Cecily will use the award funding to travel to Norway and Sweden this summer and do research for her dissertation.
Come on, come all! Grad medievalists look forward to seeing you at the book club on Thursday!
Congratulations to the Department of Art History and Art Ph.D. candidate and Mellon Fellow Reed O’Mara, who has been selected as the 2025-2027 Kress Institutional Fellow at the Zentralinstitut für Kunstgeschichte in Munich, Germany. As a Fellow, Reed will conduct research on her dissertation, “Materializing Sacred Language: Picturing and Performing Hebrew in Late Medieval Art.” This extremely competitive fellowship will offer Reed the opportunity to visit museums, libraries, archives, and sites throughout Germany and Austria pertinent to her dissertation, which is being advised by Professor Elina Gertsman. Reed is the second PhD student in the Department to receive this prestigious fellowship; Sam Truman, a PhD candidate in medieval art, is currently completing her 2023-2025 Kress Fellowship at The Courtauld Institute of Art and Warburg Institute in London, UK.
A Cultural History of Love in the Middle Ages arrives just in time for Valentine's Day! Co-edited by Barbara H. Rosenwein, prof. Gertsman's co-author on The Middle Ages in 50 Objects, it features prof. Gertsman's article, "Love in Art and Material Culture" that includes several Cleveland Museum of Art...
12:00 pm | Clark Hall Room 206, 11130 Bellflower Road
Embodiment of paradoxes and prophecies, fragmented by metaphors, the heterogeneous, ever-shifting artifact that is the Virgin Mary, Mother of God, could hardly stand further from the natural world. Late antique and Byzantine authors described her womb was the bush that burns and is not consumed, her body as the throne and the altar of God, and her arms as the liturgical spoon. She is a virgin who lactates. Despite her extraordinary qualities, remote from the experiences of womankind, art historians who have attempted to interpret this last facet of a very complex subject – the nursing Virgin Mary – have commonly essentialized it by presenting modern western constructions of nursing and motherhood as ahistorical, self-evident truths that are realized in this image-type. While scholars in many fields have explored the implications of gender theory for well over two decades, little of this work has been directed at Byzantine, and none at Egyptian Christian, art history. The vast distance that separates women engaging in the biologically natural act of nursing from the social construction of a nursing female cult figure shrinks and even disappears in their writings. Elizabeth Bowman, Elsie B. Smith Professor in the Liberal Arts, was motivated by this historiographic pattern and uses this iconographic type as a vehicle for exploring the variability of assemblages of the Virgin Mary Galaktotrophousa, or ‘she who nourishes with milk,’ and her diverse audiences.
An informal lunch will be provided.
Registration is requested. Register HERE.