The Cleveland Symposium is just around the corner! Click below to access our exciting lineup of speakers. We hope to see you there!
The Cleveland Symposium is just around the corner! Click below to access our exciting lineup of speakers. We hope to see you there!
The groundbreaking work of Prof. Elina Gertsman, Distinguished University Professor and the Andrew W. Mellon Professor in the Humanities, and her colleague and co-author, Vincent Debiais, Research Professor at the École des Hautes Études en Sciences Sociales in Paris, was featured in The Daily. Read here about their collaboration and about the integral role their graduate students played in this international multidisciplinary project!
Reed O’Mara, PhD candidate in medieval art and Mellon Foundation Fellow, recently completed a year-long curatorial internship at the J. Paul Getty Museum in Los Angeles, CA. While there, Reed helped to produce and write an in-gallery video game, The Pilgrimage Road. The game takes players through the Camino de Santiago, a popular medieval pilgrimage to see the relics of St. James, and was part of the exhibition Going Places: Travel in the Middle Ages. You can read more about the game and Reed’s work here.
Just two more weeks to see Prof. Elina Gertsman’s and Dr. Gerhard Lutz’s Creation, Birth, and Rebirth show, which was a central feature in this issue of art/sci magazine, and was reviewed in the print version of Plain Dealer and on cleveland.com. The feature highlights the collaboration between the program and the museum, as well as the role of graduate students in the making of the show and writing its didactics. The magazine, in its new online format, further links to the December interview with Prof. Maggie Popkin about the NEH Public Scholars award given in support of her new book on souvenirs, and announces international symposia convened by Prof. Elizabeth Bolman and Reed O’Mara.
Congratulations to Sam Truman, PhD candidate in medieval art, who recently presented her paper “‘Straunge Sights’: The Representation and Reception of Samuel’s Ghost in the Early Modern Period” at the Ghosts in Britain and Ireland, 1500-1950 conference held at Mary Immaculate College in Limerick, Ireland. The paper considered how the reception of an image of the Raising of Samuel found in a manuscript of John Lydgate’s Fall of Princes (British Library, Harley MS 1766) changed in the wake of the Protestant Reformation.
Sam is also co-organizing and co-chairing two panels at the 2025 International Medieval Congress, which will be held in Leeds, England July 7-10. These panels, “The Living Dead and the Transmission of Otherworldly Knowledge in Medieval Texts and Images I & II,” will feature a paper by recent department graduate Angie Verduci!
2026 International Congress on Medieval Studies
May 14 – 16, 2026 | Kalamazoo, MI
Organizers: Elina Gertsman (Case Western Reserve) and Nikki DeLuca (University of Vermont)
Cherubim of the Ark, Nicanor’s Gates, the Grail, the reliquary of Sainte Foy: metal objects, real and imaginary, imbued with magic or channeling the miraculous, haunt the long history of medieval art. This session seeks to inquire into material significance of metals, and we invite papers that explore a broad array of themes knotted around their physical and allegorical properties. Topics may include but are not limited to semiotics of metal artefacts; metaphysics of metals; metal’s material relationship with other substances, such as earth or stone; metal visualized in other media; metals and alchemy; metals and cosmology; metals and the supernatural; and metals in prophetic and eschatological discourses. Interdisciplinary approaches are welcome, but the heart of the session lies in its focus on the visual universe of metals manifested as objects: extant, described, or evoked.
Submit your abstract by September 15 here!
The multi-year international joint project, Abstraction Before the Age of Abstract Art, spearheaded by Prof. Elina Gertsman and Prof. Vincent Debiais (École des hautes études en sciences sociales | EHESS), saw its latest event in Paris with the lecture delivered by Prof. Gertsman on abstraction in medieval Sephardic haggadot. The project, which began with the support of the French-American Cultural Exchange Foundation grant, and was picked up last year as part of the collaborative series at the Institut national d’histoire de l’art, took graduate students to both sides of the Atlantic to attend and participate in workshops and symposia in Cleveland and Paris, as well as in the conferences co-organized by Gertsman and Debiais at Princeton University and EHESS.