Congratulations to MA candidate Rebekah Utian, who has just been named a 2024 Cleveland Foundation Public Service Fellow!
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We are delighted to announce that MA candidate Emma Zavodny will be the 4th annual Keithley Fellow in Community-Engaged Art History!
Congratulations to Sarah Frisbie, a first-year MA student in medieval art, who was awarded a Medieval Academy/CARA Summer Scholarship to attend the University of Tennessee-Knoxville’s MARCO Summer Latin Program! Sarah with spend eight weeks in an intensive virtual study of Medieval Latin, reading and translating texts from various medieval...
Please click on the following link to learn more about our Photography Minor and classes!
Please join us for the annual Undergraduate Research Showcase on Friday, April 19 from 12:45-2:00 in Mather 100. Refreshments will be served!
We are thrilled to announce that Sarah Lavin, MA class of 2023, will be joining the prestigious Winterthur program in Art Conservation at the University of Delaware this fall! Sarah held positions in conservation at the Cleveland Museum of Art and the Intermuseum Conservation Association and attended the San Gemini School of Preservation Studies in Italy. Congratulations Sarah!
Congratulations to Zoe Appleby, second-year PhD student in medieval and Byzantine art, whose paper, "Materials in Dialogue with an Aqueous Landscape: Marble, Glass, and Shell in San Vitale, Ravenna," won the 2024 Vagantes Paper Prize! Her work was praised by the selection committee for its complexity, depth, originality, and...
Ruth’s paper, “Analyzing the Torah Shield: Understanding the Abundance of Animal Imagery through the Zohar,” aims to explain the unusual presence of abundant animal imagery on a Boston MFA Torah shield through the relevance of the Zohar. Vivian’s paper, “Royal Family Feud: Cordelia Parting from her Sisters as a Pre-Raphaelite Social Commentary,” delves into Ford Madox Brown’s 1854 painting Cordelia Parting from her Sisters, now housed at the Cleveland Museum of Art. Maddy’s paper, “The Adoption of Aesthetics: Borrowing Byzantium and Looking West in the Russian Romanesque,” seeks to address and expand the notion of amalgamation between the Byzantine and European tradition in Slavic architecture during the 12th century.