Congratulations to Claudia Haines, third-year PhD student in medieval art, who recently traveled to London to present her paper “Suffering and Salvation: The ‘Wound Man’ Iconography in Late Medieval Medical Manuscripts” at the international symposium “‘As stiffe twin compasses’: Allegory and Sciences, 1300–1700,” held at the Warburg Institute on October 24–25. The two-day event brought together scholars from across Europe and North America to explore how allegorical modes shaped—and were shaped by—the emerging disciplines of natural philosophy, astronomy, medicine, and early modern science. During her trip, Claudia had a chance to see several exhibitions of medieval medical manuscripts, the potential focus of her dissertation.