Reed will discuss one of the earliest extant illuminated Hebrew manuscripts from Europe, the so-called Munich Rashi, copied in Germany in the 1230s for a wealthy Jewish patron. The commentary has an incomplete image cycle and several of its surviving paintings have been partially erased. In her lecture, Reed will consider the manuscript’s images in dialogue, addressing the way that the erasures wrought upon these images may have affected medieval viewers, and their perception of both the divine and images of the divine.
Pre-lecture reception begins at 4:15 pm.
Registration requested.