Case Western Reserve University’s Art History Department and the Interactive Commons wowed at the Medieval Academy of America’s annual conference, held this year at the University of Notre Dame. Prof. Elina Gertsman and Reed O’Mara organized a session on the use of immersive technologies in teaching, and in addition staged a HoloLens demonstration with the help of the incomparable Peter Gao and Karen Rhoad from the Interactive Commons. The demonstration focused on Prof. Gertsman’s Gothic Chapel and Prof. Elizabeth S. Bolman’s Red Monastery apps, while the session itself also included a presentation by Sonya Rhie Mace, the curator of Indian and Southeast Asian Art at the Cleveland Museum of Art, which discussed the uses of HoloLens at her recent Revealing Krishna show. Several PhD students and an undergraduate student traveled from CWRU to take part in the conference. It was a riveting show of what may result from the collaborative interdisciplinary projects between university units and between institutions, and with how much excitement these projects are welcomed by the broader academic world.
Fourth-year PhD candidate Reed O’Mara and first-year PhD student Luke Hester participated in the Humanities in Leadership Learning Series (HILLS) Graduate Symposium this past weekend along with six other CWRU graduate students from across the humanities and humanities-adjacent fields. Together, the group discussed pathways to academic and administrative leadership and how to implement positive change at the department and university levels. The symposium was coordinated and facilitated by Dr. Timothy Beal and Dr. Joy Bostic and featured a discussion led by the interim Dean of Arts and Sciences, Dr. Lee Anne Thompson. Congrats to Reed and Luke for being selected to participate!
Our Favorite Thing for today is Convolvulus and Metamorphosis of the Convolvulus Hawk Moth by Maria Sibylla Merian (2019.9, not on view)! Rebekah Utian is a Master’s student studying Early Modern Art history with Dr. Erin Benay.
“My favorite object in the CMA collection is Maria Sibylla Merian’s Convolvulus and Metamorphosis of the Convolvulus Hawk Moth (c. 1670–83), which portrays the carefully observed life cycle of the European pink-spotted hawkmoth. I particularly love the languid, grayish-brown caterpillar in the center, who is clearly the protagonist of this naturalist narrative, sprawling across his favorite food, the flowering bindweed.”
Our Favorite Thing for today is Jared French’s Evasion! 🪞 Emme Page just presented her qualifying paper today! She is an art history M.A. student in her final semester studying American art.
“Jared French’s Evasion stands out to me as a work in which the meaning is both clear and ambiguous, creating an interpretative tension parallel to his understanding of the inner self. As a bisexual man married to a woman in 1940s New York City, French explores themes of shame and ostracism through this image.”
Congratulations to Jillian Kruse and Reed O’Mara on successfully defending their dissertation prospectuses! Jillian’s dissertation, “Printing Utopia: Experimentation, Collaboration, and Anarchy in the Prints of Camille Pissarro,” will explore the intersections of Pissarro’s experimental and collaborative printmaking practice with his anarchist subject matter and philosophy. Through her research, Jillian plans to demonstrate that the artist’s prints served as sites in which he combined process, technique, and motif to create his own anarchist utopia founded in artistic freedom, collaboration, and a love of the earth. Reed’s dissertation, “Materializing Sacred Language: Picturing and Performing Hebrew in Late Medieval Art,” will consider text and image relationships in Jewish illuminated manuscripts and Christian prints from Ashkenaz and Italy, ca. 1200-1500. In particular, Reed will examine how word play, visual punning, pseudo-texts, and other visual-verbal mechanics contributed to the complicated status of Hebrew in the Middle Ages both within and beyond Jewish communities.