Elizabeth S. Bolman
Elizabeth S. Bolman is Chair of the Department of Art History and Art, and Elsie B. Smith Chair in the Liberal Arts. She engages with the visual culture of the eastern Mediterranean in the late ancient and Byzantine periods. Professor Bolman is best known for her work in Egypt, in which she has demonstrated the vitality of Christian Egyptian art and a new understanding of the nature of artistic production there in the early Byzantine period. She edited and was the principal contributor to the award-winning Monastic Visions: Wall Paintings in the Monastery of St. Antony at the Red Sea (Yale University Press and the American Research Center in Egypt, 2002) and to The Red Monastery Church: Beauty and Asceticism in Upper Egypt (Yale University Press and the American Research Center in Egypt, 2016). This recent book is the product of over a decade-long multidisciplinary project that she founded and directed, which included cleaning and conservation of the Red Monastery’s spectacular paintings. She is the recipient of fellowships and grants from the Guggenheim Foundation, Fulbright program, National Endowment for the Humanities, Dumbarton Oaks, American Research Center in Egypt, and United States Agency for International Development.
Recent Department News
Congratulations to Madalyn Fox, second-year MA student in contemporary art and museum studies, who presented her paper, “Slabs, Seams, and Survival: Rose B. Simpson’s Symbiotic Claywork,” at the 2025 University of Kansas History of Art Graduate Student Symposium. This year’s theme, “Symbiosis: Art and Ecologies in Global Perspectives,” brought together MA...
Congratulations to doctoral candidate Susana Montañés-Lleras, who recently presented two brilliant papers adapted from her doctoral dissertation at two leading interdisciplinary and international conferences!
At the Victorian Interdisciplinary Studies Association of the Western United States annual conference, held at Saint Louis University, October 3-5, Susana delivered a talk titled, "Introducing the Artist as Narrator: Walter Crane’s Sixpenny New Series Book Cover and Children’s Books Publishing." Then, at the annual North American Victorian Studies Association...
MA Candidate Alexandru Zaharia
Congratulations to MA Candidate Alexandru Zaharia, whose essay about the Church of God and True Holiness was recently published in Facade! Alexandru's building history of this extraordinary Cleveland gem is the result of research undertaken during his summer practicum in the Publicly Engaged Humanities at the Cleveland Restoration Society. 2025.11.15...
Please join us for the Digital Humanities Showcase on November 21, at 1 pm, for a presentation/discussion of Prof. Elina Gertsman’s Immersive Realms project, followed by the AnyBook Experience project helmed by Sabina Zonno and Lynn Dodd at USC! As part of the celebrations for the MAA’s Centennial Year, the Digital Humanities and Multimedia Studies Committee and the Graduate Student Committee have partnered to organize a year-long series of webinars showcasing exciting DH projects. Each session features a moderated discussion of two recent/ongoing DH projects followed by an audience Q&A. Beyond highlighting a diverse array of new and exciting projects in Medieval Studies, this series also serves as an opportunity to share ideas and best practices within the medieval DH community. Register here or use the QR code on the flyer.
Congratulations to Anna Farber, a first-year MA student in medieval art, who presented her paper “Issues of Blood: Profuse Menstruation in Medieval Art” at the SECAC’s annual conference, held this year in Cincinnati. The session, “Tidal Flux: The Representation of Menstrual Periods in Art,” featured both art historians and practicing artists who examined menstruation’s often-unexplored impact on the visual record. While at the conference, Anna had the opportunity to visit several Cincinnati arts institutions, including the Cincinnati Museum of Art, and meet colleagues from all over the world to discuss common issues facing our field. We look forward to Anna’s paper at the Cleveland Symposium this Friday!
Claudia Haines presents at the Warburg
Congratulations to Claudia Haines, third-year PhD student in medieval art, who recently traveled to London to present her paper “Suffering and Salvation: The ‘Wound Man’ Iconography in Late Medieval Medical Manuscripts” at the international symposium “‘As stiffe twin compasses’: Allegory and Sciences, 1300–1700,” held at the Warburg Institute on October 24–25. The two-day event brought together scholars from across Europe and North America to explore how allegorical modes shaped—and were shaped by—the emerging disciplines of natural philosophy, astronomy, medicine, and early modern science. During her trip, Claudia had a chance to see several exhibitions of medieval medical manuscripts, the potential focus of her dissertation.
Megan Alves (MA ’25) on the opening of One Art, One Community
The Department of Art History and Art Congratulates , an exhibition of work by artists currently incarcerated in the Ohio correctional system. Megan worked closely with Julian Rogers (Associate Vice President, Local Government and Community Relations, CWRU), Kathy Barrie (Director of the Putnam Collection), Marilyn Burnett (Putnam Collection), and Eric Gardenhire at Grafton Correctional Institution; together...
Scandinavian Pilgrimages
Congratulations to Cecily Hughes, fourth-year PhD candidate in medieval art, who traversed Scandinavia over the past few months to present at two international conferences and conduct dissertation research. In Reykjavik, Iceland, Cecily attended the 31st Congress of Nordic Historians where she delivered her paper “A Place to Shine: Darkness and Light in a Medieval Swedish Sacrament Niche.” Crossing the Baltic Sea to Helsinki, Finland, Cecily discussed “The Measure of a Saint: Size, Movement, and Meaning in St. Olaf Pilgrim Badges,” at the 14th triennial NORDIK Conference of Art History in the Nordic Countries. On the Swedish island of Gotland, Cecily visited twenty-two medieval churches, documenting their vivid wall paintings, art objects, and architecture.
Art History Courses Spring 2026
HENRY ADAMS -ARTH/PHYS 150 An Introduction to the Universe and to the Meaning of Everything MW 12:45pm-2pm -ARTH 272 American Modernism in an International perspective (inactive n/a to schedule CAF submitted) MW 4:50pm-6:05pm ERIN BENAY -ARTH 396 Majors Seminar TTH 11:30am-12:45pm -ARTH/HSTY 375/475 Doors Wide Shut: The Private Art Collection from Raphael to Rauschenberg (inactive n/a...
African “Peripheries:” Challenging the Paradigms of Archaeology and Art
Please join us for an extraordinary opportunity to learn about virtually unknown medieval Christian art and architecture in modern Sudan. Dr. Obłuski will be talking about a range of issues, including the excavation of a small building with wall paintings that Archaeology Magazine named among the top ten discoveries in the world in 2023. This lecture...
Please join us on November 19 for what promises to be a fantastic lecture to be delivered by Margaret Graves, Adrienne Minassian Associate Professor of Islamic Art and Architecture at Brown. Titled “Islamic Ceramics and Other Fictions of Capital,” the lecture explores the fictionalized objects of Islamic ceramics collecting that suture together multiple temporalities with skill and ingenuity, creating new objects of delight for elite collectors and asking us to think again about what we value most in the artifacts of the medieval past. The lecture will be of interest to academics, museum professionals, and collectors, so please spread the word!
Cleveland Symposium 2025: schedule and keynote
The Cleveland Symposium is just around the corner! Click below to access our exciting lineup of speakers. We hope to see you there!