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The department is delighted to announce the publication of Scent and Sense in Medieval Material Culture, edited by Prof. Elina Gertsman. This collection of essays explores images and objects that take smells as their predicates, directing the inquiry on their tropological and often paradoxical meanings, and on their place in the medieval economy of remembrance and reflection. The volume, a guest-edited issue of Convivium, gathers essays drawing from several religious cultures of the global medieval world—Buddhist, Jewish, Christian (both western and eastern), Islamic—and offers a broad temporal span of several centuries. Among the featured authors are Sonya Rhie Mace, the George P. Bickford Curator of Indian and Southeast Asian Art at the CMA, and Reed O’Mara, the department’s Mellon Fellow and doctoral student in medieval art.

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Year-end message from Elina Gertsman, the Acting Chair of Art History and Art

It was a true privilege to shepherd the department during this academic year. Despite all the complexities, we have accomplished astonishing things! Both our faculty members and our graduate students garnered extremely competitive fellowships and awards, organized international conferences, spoke at a broad variety of venues, published widely, and curated exhibitions. Our studio artists, in turn, exhibited their work across the United States. Our lecture series brought extraordinary scholars to campus; the Graduate Association for Medieval Studies and the Undergraduate Art History Club held a series of fabulous events; and the Cleveland Symposium, which celebrated its 50th anniversary, was a rousing success.

This year two new faculty members joined our ranks, and we are excited to welcome a new colleague, a specialist in medieval Japanese art, in the fall. Congratulations to our BA and MA graduates, and kudos to our PhD students who secured important curatorial appointments this year! In turn, Barney Taxel retired at the conclusion of this semester, and we are tremendously grateful for his years of service to the Art Studio program.

It was wonderful to celebrate everyone at our end-of-the-year party. I hope you have a magnificent conclusion to this academic year and a glorious summer!

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The Joint Program / GAMS at the Medieval Congress

Members of the CWRU community took the International Congress on Medieval Studies by storm! Rebekkah Hart and Cecily Hughes co-organized a session “Scales of Devotion,” which featured a talk by Gerhard Lutz; Reed O’Mara led an online session on Jewish Women in the Middle Ages; Sarah Frisbie organized two sessions on medieval graffiti; and Prof. Gertsman put together two sessions on medieval materialities, one of which featured Zoe Appleby’s paper on Palermo’s lava stones. Tess Artis, Cecily, Sarah, and Rebekkah also presented papers in various sessions: on the CMA’s macabre double portrait, on sacrament niches, on the Beatus apocalypse, and on the seven sacraments fonts, respectively. Claudia Haines, Anna Farber, Rachel Sweeney as well as Sarah, Rebekkah, and Cecily helped prof. Gertsman run a day-long set of Immersive Realms HoloLens demos, brought to Kalamazoo by the fabulous Peter Gao and Anna Faxon. The gang was joined, at various times, by the alumni Laura Rybicki and Julia LaPlaca, and KSL’s digital preservation librarian and an avid member of GAMS Alyssa Pierce. And the famous book exhibit was greatly enriched by the presence of Nikki DeLuca’s freshly published book on shadows in medieval manuscripts!

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The Department of Art History and Art is delighted to announce the hire of Dr. Rachel Quist, who will be joining CWRU in the fall. Dr. Quist specializes in Buddhist visual culture of medieval Japan, and is especially interested in the interactions between Buddhist icons, their worshipers, and their natural environs. She received her doctoral degree from the University of Kansas with the  dissertation “Forging Bonds through Icons and Ritual: Imperial Patronage of Daigoji,” which illuminates the centrality of sculptural icons within the complex interplay of medicinal rituals, imperial politics, and the cosmic worldview of premodern Japan.

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Grad Awards Winners Announced

Art History students swept the grad awards this year! Cecily Hughes was named winner of this year’s Ruth Barber Moon Award, while Megan Alves and Claudia Haines were honored with Graduate Dean’s Instructional Excellence awards; Claire Sumner received the Pancoast; and Sarah Frisbie, Luke Hester, and Jillian Kruse received Friends of Art departmental awards. Congratulations to the winners!

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Please save the date for the 51st Annual Cleveland Symposium, to be held on Friday, November 14, 2025 at the Cleveland Museum of Art. This year’s theme is “Love and Desire.” Stay tuned for the call for papers!

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Join us for the Provost’s Forum for Breaking Boundaries, where Professor Elina Gertsman and Maggie Popkin will present their ground-breaking research into mixed-reality modeling and their collaborative work with institutions across campus! More information on the event here.

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Congratulations to Nikki DeLuca on the Publication of her First Book!

We are utterly delighted to announce that our very own alumna Dr. Nikki DeLuca just published her first book, Shades of Meaning: Shadows in Medieval Manuscript Illumination. Through the lens of fifteenth-century manuscript painting, the book investigates visual, metaphorical, and supernatural shadows in art to discover what they meant to the medieval viewer. Click here to go to the table of contents, acknowledgments, and other preliminary matter — and look out for copies at the KSL and the Ingalls!

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Vivian Lewis presents at Vagantes

Congratulations to Vivian Lewis, our very own graduate and now an MA student in library science at the University of North Carolina at Chapel Hill, who presented a version of her BA capstone, “Stronger Than Lions: Meaning-Making in a Medieval Jewish Aquamanile,” at the 24th Annual Vagantes Conference on Medieval Studies, co-hosted this year by UNC and Duke! This was a full-circle event for Vivian, who chaired a session as an undergraduate when CWRU hosted Vagantes just a few years ago. Vivian’s paper examined the Walters aquamanile, a rare 13th-century bronze lion-shaped vessel inscribed with a Hebrew prayer, to uncover a nuanced narrative of Jewish identity, resilience, and cultural adaptation in medieval Europe. One of the conference attendees, a fellow of the Medieval Academy, wrote to Prof. Gertsman about Vivian’s wonderful “presentation and contextualization of this amazing piece,” and added that “the depth of knowledge apparent in her answers to questions was truly impressive.” Well done, Vivian!

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