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Congratulations to Madalyn Fox, second-year MA student in contemporary art and museum studies, who presented her paper, “Slabs, Seams, and Survival: Rose B. Simpson’s Symbiotic Claywork,” at the 2025 University of Kansas History of Art Graduate Student Symposium. This year’s theme, “Symbiosis: Art and Ecologies in Global Perspectives,” brought together MA...

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Congratulations to Susana Montañés-Lleras!

Congratulations to doctoral candidate Susana Montañés-Lleras, who recently presented two brilliant papers adapted from her doctoral dissertation at two leading interdisciplinary and international conferences!  At the Victorian Interdisciplinary Studies Association of the Western United States annual conference, held at Saint Louis University, October 3-5, Susana delivered a talk titled,...

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Congratulations to MA Candidate Alexandru Zaharia, whose essay about the Church of God and True Holiness was recently published in Facade! Alexandru's building history of this extraordinary Cleveland gem is the result of research undertaken during his summer practicum in the Publicly Engaged Humanities at the Cleveland Restoration Society.  2025.11.15...

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Congratulations to Anna Farber, a first-year MA student in medieval art, who presented her paper “Issues of Blood: Profuse Menstruation in Medieval Art” at the SECAC’s annual conference, held this year in Cincinnati. The session, “Tidal Flux: The Representation of Menstrual Periods in Art,” featured both art historians and practicing artists who examined menstruation’s often-unexplored impact on the visual record. While at the conference, Anna had the opportunity to visit several Cincinnati arts institutions, including the Cincinnati Museum of Art, and meet colleagues from all over the world to discuss common issues facing our field. We look forward to Anna’s paper at the Cleveland Symposium this Friday!

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Claudia Haines presents at the Warburg

Congratulations to Claudia Haines, third-year PhD student in medieval art, who recently traveled to London to present her paper “Suffering and Salvation: The ‘Wound Man’ Iconography in Late Medieval Medical Manuscripts” at the international symposium “‘As stiffe twin compasses’: Allegory and Sciences, 1300–1700,” held at the Warburg Institute on October 24–25. The two-day event brought together scholars from across Europe and North America to explore how allegorical modes shaped—and were shaped by—the emerging disciplines of natural philosophy, astronomy, medicine, and early modern science. During her trip, Claudia had a chance to see several exhibitions of medieval medical manuscripts, the potential focus of her dissertation.

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Scandinavian Pilgrimages

Congratulations to Cecily Hughes, fourth-year PhD candidate in medieval art, who traversed Scandinavia over the past few months to present at two international conferences and conduct dissertation research. In Reykjavik, Iceland, Cecily attended the 31st Congress of Nordic Historians where she delivered her paper “A Place to Shine: Darkness and Light in a Medieval Swedish Sacrament Niche.” Crossing the Baltic Sea to Helsinki, Finland, Cecily discussed “The Measure of a Saint: Size, Movement, and Meaning in St. Olaf Pilgrim Badges,” at the 14th triennial NORDIK Conference of Art History in the Nordic Countries. On the Swedish island of Gotland, Cecily visited twenty-two medieval churches, documenting their vivid wall paintings, art objects, and architecture.

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Rethinking the Middle Ages: CWRU art historian reframes abstraction

The groundbreaking work of Prof. Elina Gertsman, Distinguished University Professor and the Andrew W. Mellon Professor in the Humanities, and her colleague and co-author, Vincent Debiais, Research Professor at the École des Hautes Études en Sciences Sociales in Paris, was featured in The Daily. Read here about their collaboration and about the integral role their graduate students played in this international multidisciplinary project!

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Medieval PiIgrimage for Gamers

Reed O’Mara, PhD candidate in medieval art and Mellon Foundation Fellow, recently completed a year-long curatorial internship at the J. Paul Getty Museum in Los Angeles, CA. While there, Reed helped to produce and write an in-gallery video game, The Pilgrimage Road. The game takes players through the Camino de Santiago, a popular medieval pilgrimage to see the relics of St. James, and was part of the exhibition Going Places: Travel in the Middle Ages. You can read more about the game and Reed’s work here.

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